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Peter Hammill - Two Or Three Spectres Lyrics

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  • Sod the music," said the man in the suit,
  • "I understand profit and without that, it's no use,
  • Why don't you go away and write commercial songs;
  • come back in three years, that shouldn't be too long..."
  • He's a joker and an acrobat,
  • a record exec. in a Mayfair flat
  • with Altec speakers wall to wall,
  • a Radford and a Revox and through it all he plays
  • strictly nowhere Muzak.
  • "Hey, listen, baby, this band's got a lot of soul...
  • if we can beat that out of them I see a disc of gold!
  • Give them an image, maybe glitter, maybe sex,
  • maybe outrage, maybe elegance--
  • how about as nervous wrecks?"
  • Signs up the product at two percent,
  • justified by vinyl shortage and the increased rent
  • on the yacht he has to hire to make his pitch at Midem
  • and all the press receptions for his business friends
  • who spill their Taittinger upon the floor
  • while the band sip English lager just outside the door.
  • Treble, alto, bass clefs on the page,
  • crotchets, quavers, minims all the rage
  • but you'll never find a -L- in the score--
  • it's there when it's strictly merchandise,
  • through all the propagated lies 'bout what the whole thing's for!
  • He'll make you a star, he'll make you so famous
  • that all you desire is to be left nameless,
  • drained of all you felt you had to offer at the start.
  • Not without blame, either, are the gentlemen of the press:
  • you can talk about the state of music,
  • they will writer about your dress.
  • Play them the new album, they will say it's great (or not)--
  • when the articles come out, they're all about
  • how many dogs you've got.
  • God to keep the human interest high,
  • and the hacks are only too willing to comply,
  • pander to the ego, build up frail men as gods--
  • but somewhere in the process, the prime purpose is forgotten.
  • Groupies offer their bodies, the hangers-on their coke;
  • it's all very jolly--what a joke!
  • Fellini creatures cluster round the dressing-room.
  • the heavenly bodies all got to have their moons.
  • In the cult of the superman the music plays a supporting role
  • and far more important is the shape of his nose,
  • the size of his codpiece and the cut of his clothes...
  • soul and feeling always take second place
  • to the bump and grind of a Fender bass.
  • Frankly, most musicians bore me--but not as much as those
  • who chase the glory to bask in reflected light,
  • making the man much more important
  • than his arpeggios and mordants,
  • when it's the other way that's right.
  • On the values by which this world makes its heroes
  • then the best violinist ever was Nero,
  • because he had the most Press
  • and his fire gimmick was simply the best.
  • We got the live thing too,
  • the Human Zoo:
  • Ten thousand arms are raised, just like the Hitler Youth--
  • Ten thousand peace signs mark the entry of the sax;
  • ten thousand peace signs,
  • but they're different from the back

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